Technology as the core determinant of furniture aesthetics or functionality, is an epitome of futuristic design. The high tech products with functional purposes, determines the vocabulary of material and form in a development of furniture in the futuristic contexts. Elements including outer space environments, linearity, asymmetrical low gravity forms, a sense of survival, extension sense in forms, bio-mimicry, curve-linear forms, perpetual motion in forms, exotic designs, higher cosmic harmony (either with planet or space), alienated organic forms, blurry borders between sit and go, emotion and coldness, etc. In this essay, the elements of futuristic design are defined in a list and the way their futurism aesthetics contribute to overall environments are investigated. The Elements of Futuristic Furniture Design A commitment to design the highest end products with edgy futuristic sense is QERMEZi’s guarantee to cover a broad spectrum of users. What might seem highly futuristic for a culture, might look mundane and old-fashioned for the other users. Users have highly subjective interpretation and perception of futuristic furniture concepts in various chronological and locational settings. It could be logically claimed that human centric approach would highly facilitate pulling future into NOW and live into it engagingly and thoroughly, instead of extending our neck forward uncomfortably to take a glance at future and then return to the original stance. The very collective yet scientific stepping into the future would bewilderingly ease the challenges of encountering an unknown time ahead of us. Products are basically sketched and born into reality out of the most recent findings on design literature and technological science. The incessant vigilance in taking the user friendliness into consideration leads to an application of a co-constructionist approach in the finalization of QERMEZi products. The Balance on Objective and Subjective Design This back and forth between future and now, in it’s turn, adds to the chronological fluidity in harmony with form and energy fluidity. The application of futurology perspective and emergence of future from the very present stance sheds light on how (the appearance and disappearance of borderline between mobility and immobility, future and now, comforted and uncomforted, sit and go, in the design of QERMEZi furniture as futuristic products,) all elements contribute to the perpetual dynamism and how it serves to the users subjectively. What would a future look like to the users if no attempt is taken to familiarize or embrace its design for them?! What are the contributing elements that might assist users in perceiving and feeling a sense of future? Here, a diligent attempt is taken to construct a sense of that by embracing the nature of future from scholarly findings recorded in the design literature. Human beings have perpetually sought unstoppable continuity and fluidity when it comes to knowing about next phases and future life. A vanguard and futuristic furniture has inarguably proven to be conducive to exponential productivity and overall user satisfaction, according to the existing literature on design science. Here, in QERMEZi company, expression of a realistic vision of futuristic furniture is attempted since identifying and addressing key elements of a futuristic design would benefit for both users and yet-to-be designers. Particularly, representing diverse forms interwoven into one single product is associated with higher abstractionism that, in it’s turn, leads to quenching their thought-provoking desires. Designing futuristic scenarios by QERMEZi’s Futuristic Furniture and it’s state-of-the-art human-centric forms could reflect optimum sensual energy flow and would concomitantly enable users to feel more, interact more, and roam more.
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